Enter Camel No. 9, which was released in 2007. Wrapped in a simple, even elegant box, cigarettes have never looked so good. The package is black, bordered by either a hot flamingo pink or a cool green teal (for the menthol variety). In the centre of the package is the now iconic camel. Inside of the carton is the same lush fuchsia colour, akin to the plush lining of a small box bearing a ring. All this suggests the dark and sexy feel of a cabaret or trendy bar. There is a certain mystique to the package, as if it reads like a seductive mystery novel. The smart packaging would also appeal to young girls. If I was more than a very occasional, nearly seldom, social smoker, I would be tempted to pick up this product because of the subtle, one could say nuanced, attractive packaging.
Of equal note is the name that Camel selected, which was the winning name among focus groups. The name invokes many ideas that have tapped the American imagination over the years. "Love Potion #9" was a romantic themed rock song written by The Clovers in 1959. The name also invokes the upscale French cosmetics and perfume company Channel No. 19. And according to a R.J. Reynolds representative, Camel No. 9 recalls the expression "dressed to the nines" (NY Times). All this leaves the inescapable conclusion that women will look, feel, and be more sexy and desirable with this product. Not only will your tobacco needs be satiated with this product, but you'll also be making a profound social and fashion statement.

Granted, No. 9 isn't the first, nor the most blatant attempt to attract the female consumer, but it is the most contemporary example. While this development began in the 1920s, it hit a peak in 1968, with the advent of Virginia Slims. With slogans such as "You've come a long way, baby" and "It's a woman thing," the company, Phillip Morris, overtly pursued the female market. Additional tobacco companies have also produced women-centered cigarettes.
To be clear, I do not seek oppressive restrictions on, nor a prohibition of, tobacco products. Like any other drug, I feel that it is the individual's right to decide what substances they ingest, and it's not my place to judge. However, I do take exception when that industry deliberately draws the underage population to their products. Joe Camel, and the more subdued No. 9, certainly appeal to that age group, so that they'll be hooked from the cradle to the grave. I don't particularly begrudge the industry because, like any other business, I don't naively expect them to change their ways. They have a product to sell and they need to portray it in the most positive light as possible, regardless of the social and health implications. But at long last, the FDA now has regulatory power over the industry. It boggles the mind that there wasn't any oversight of it until June of this year. Thus far the agency has banned flavoured cigarettes and will soon disallow the term "lite" on cigarette brands. There is speculation that the FDA could go after tobacco products that target children, which could include Camel's No. 9.
Camel No. 9 Cigarettes can be found at any fine convenience, grocery, or liquor store. They cost around $5 per pack, although the price varies by state and its accompanying sin tax.
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ReplyDeleteWow. I mean really, WOW. Did you just write your research paper and post it or something? This is amazingly comprehensive, and really can get one to think.
However, I would like some clarification if at all possible. I understand you're interpretation of the product insofar as targeting women, but I fail to see the connection of "No. 19" to Camel's history of targeting children. How did you come to arrive at this conclusion? In what specific ways is this campaign targeting children?
Hey Zach. Thanks for the kind words.
ReplyDeleteI didn't really look into the causality between Camel's new cigarettes and its appeal on underage individuals and underage smoking. It was more that I saw faint echos of Joe Camel in No. 9.
But here's some info I had found on the topic: "The marketing strategy is specifically designed to lure young women to take up the deadly addiction of smoking. And the strategies are as enticing as they are lethal with promotional 'Girl’s Nights Out.' At these events, R.J. Reynolds promotions provide attendees with free costume jewelry, wristbands, cell phone jewelry, manicures, make-up, hairstyling and in San Francisco, the only Bay Area city that still permits it, free cigarettes...
"'80% of new smokers are under 18 years of age, and one-third of teenagers now smoking will eventually die from it,' says Communities Under Siege project coordinator Julie M. Waters,”
Camel No. 9 was also advertised in popular girls' magazines (Glamour, Vogue, Cosmopolitan).
I found this info at "Communities Under Siege: United Against the Globalization of the Big Tobacco," which can be found at:
http://www.cus-united.org/index.html
Thanks again for the comment; I appreciate it.
Thanks for responding! So in other words the connection you drew was a bit more generalized? More of a certain trend they seem to follow? One that is not so necessarily linked to you younger children as the overt "Joe Camel" campaign, but one that targets younger individuals nevertheless? Erm...is that what you're saying?
ReplyDeleteWait, let me rephrase that, one that isn't so overt as the the Joe Camel Campaign. Sorry about that.
ReplyDeleteChanel perfume was the first thing that came to my mind when I saw the name of those cigarettes on the box... even the fonts are similar. Here's a pic I stole off the net that compares the two:
ReplyDeleteCamel No.9 & Chanel No.19
Definitely seems to me, however, that the Camels are being marketed to a much younger crowd than the Chanel perfumes. I've seen a lot of merchandise geared towards teenage girls that features a color scheme of black + neon.
Also, I remember Joe Camel from when I was a kid. My dad had a t-shirt with him on it, even though my dad never smoked. I'm guessing Joe Camel must have been a fairly big thing in pop culture back then for even non-smokers to be fans.